Most professional brands have it, but a couple of years this market semi-virgin activated significa

Have always struck me the ring flash for its ability to give good light without shadows in portraits. However, its smaller circulation makes out much more expensive than their normal counterparts price is amortized worse than a normal flash, to which habitually adds more volume. In short, it is an ideal for portraits element, but with little predicament by his younger versatility.
Most professional brands have it, but a couple of years this market semi-virgin activated significantly ago. The first to take the plunge ring were flashes of hits, that is, that in exchange for a very affordable price what you get is a reflective housing to adapt to your usual flash. Removed electronics, obviously the price drops significantly. All advanced amateur creative t12 can allow Orbis or Ray Flash.
And this has come Metz and given a return to the topic with their new Mecablitz 15 MS-1 digital. We were able to test the toy and we liked: the idea is to have a ring flash small, lightweight, comfortable and sync wirelessly. creative t12 Ideal for portraits and close-ups - that is, to what actually use the vast majority of the market.
The Pros that have attracted my attention: It's a real flash, and not a mere adapter. Its small size and light weight are perfect and do longer fit to carry in your backpack anywhere. Orbis compared, no color or size or the flash ring concept. Operates on two AAA batteries, which guarantees affordable energy anywhere. Wireless TTL for those cameras that support it. Metz speaks on terms or other of Canon, Nikon, Fujifilm, Olympus, Panasonic, Leica and Sony Alpha. What I can use slave flash.
The Cons, according to which eye looks: Bring three adapters rings 52, 55 and 58 mm. Although his record says you can buy rings 62, 67 and 72 mm, me not convinced for my Nikkor 2.8. In fact, even without the ring I could not fit in the 24-70 or the 70-200 because they are 77. I think in this self-excluded are an interesting niche. The manual is somewhat cumbersome, or am I stupid this month - which can also be ...
The operation itself creative t12 is simple (once you manage to synchronize with the camera) and light it gives is more than acceptable in the range of use for which the device is intended. Once mounted, is much more comfortable than the alternative ring prosthesis: an all-in-one compact creative t12 camera with a voluminous + flash + adapter. And of course, have already given some other prize.
However, it is an outstanding choice for those who want to buy a good flash ring true without breaking, as it costs less than 300 (thanks Ferguson, Zaer!). What you'll be using a lot more than you think.
BONUS WTF: The box clearly announces that it is a perfect flash for digital. A Either Metz has generated "digital light" or someone has to talk seriously with the Product Manager Product. Or am I stupid this month - which can also be.
True, the price issue I think it deserves an important place in the post, to position the product. Over there I saw about 300 . The bonus "perfect creative t12 for digital" is good, still think that all that carries the word "DIGITAL" seems better.
I bought almost go out and macro is just extraordinary because, creative t12 as in portrait, no shadows, takes time to get used to the many configurations as you can change the power of each of the two lamps and can also modify the angle each with three separate positions.
Do all manufacturers trbajan the same voltage? It sounds to me that there is no standard about it, but knowing the marketiniana mind, his argument would be more along the line of "this light parseks transcopuliza ions emitted light to improve digital CCD disrrupción ... bla bla bla " creative t12
To me it makes sense voltage; because there are plenty of flashes designed for "analog" cameras, creative t12 which today are still made that NO can be used in digital cameras (directly burn), and in issues of "Cheap flashes" always have to tread very aware they are the admitted voltage to digital.
Do not say nothing of power. I use a Chinese brand (I can not remember) and it is a contraption, creative t12 with its battery box weighing about 3 bricks, but sticking to grab some flashes (models complain deque stay awhile with hoop light on the retina). But my problem is that sometimes, especially creative t12 when shooting backlit against one, or from some disntancia, I need more power. Sounds to me like this flash must be excellent for short distnacias, but with 2 AA batteries do not think it serves more than two meters, or at high brightness ... What say that l